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Kameron Lopreore is a distinguished lyric tenor hailing from New Orleans, Louisiana, celebrated for his “powerful ringing top and baritenor weight.” The 2025-2026 season brings an exciting house and role debut with Florida Grand Opera as Nikolaus Sprink in Kevin Puts and Mark Campell’s Silent Night, as well as his South American debut with the Municipal de Santiago (Chile) as Rodolfo in La bohème. In concert, he bows as a soloist in Beethoven’s Ninth Symphony with the Knoxville Symphony, and in Carmina Burana with the Buffalo Philharmonic Orchestra. He also travels to Mexico for a studio recording of Salome with the Orquesta Sinfonica de Minaria, singing the Fourth Jew. Future seasons include a return to The Atlanta Opera in a leading role.
The 2024-2025 season featured debuts with Austin Opera as B.F. Pinkerton in a performance of Madama Butterfly; The Prince in Rusalka with Pacific Northwest Opera, and Prince Claus in Adamo's Becoming Santa Claus at Opera Louisiane. Elsewhere, he performed Rodolfo in La bohème with The Atlanta Opera as well as the Charleston Opera Theater. In concert, Kameron appeared as the tenor soloist in Handel’s Messiah with the Chattanooga Symphony Orchestra and Beethoven’s Missa Solemnis with the Boulder Philharmonic Orchestra. During the summer of 2025, he returned to Santa Fe Opera covering Rodolfo in La bohème and Duca di Mantua in Rigoletto, and received the company's Award of Excellence.
In prior seasons with The Atlanta Opera, Kameron portrayed multiple roles, notably performing the role of Rodolfo in The Atlanta Opera’s immersive Bohème Project, across nine performances. Highlights include performances of Bill Watson and Lloyd the Bartender in Moravec’s, The Shining; the tenor soloist in Shapiro’s Frankenstein: The Movie Score; Mattea Borsa in Verdi’s Rigoletto; and Lysander in Britten’s A Midsummer Night’s Dream. Also at The Atlanta Opera, he covered the role of Pinkerton in Madama Butterfly and Froh in Tomer Zvulun’s production of Wagner’s Das Rheingold. His talent was further honed during his participation in the prestigious Santa Fe Opera’s young artist program during the 2021-2022 season.
Kameron has also made multiple appearances at The Glimmerglass Festival, as Tamino in The Magic Flute, Léon in The Ghost of Versailles, Gastone in La traviata, and Panatellas in the World Premiere of a new adaptation of Offenbach’s Songbird. A career highlight was traveling with The Glimmerglass Festival to perform the role of the Marquis in the co-production of Corigliano’s The Ghosts of Versailles with the Château de Versailles Spectacles in Versailles, France. In addition to his performances on stage, Kameron is an avid competitor in The Metropolitan Opera Laffont Competition, leaving as a District Winner in both 2019 and 2020.
In previous seasons, he has performed with Pensacola Opera, taking on roles such as Le Remendado in Bizet’s Carmen and Nemorino in Donizetti’s L’elisir d’amore. A regular performer with New Orleans Opera, Kameron bowed as Raimond in The Maid of Orleans; Don Curzio in Le nozze di Figaro; and Blind Man 1 in the Regional Premiere of The Blind. Familiar to Shreveport Opera, Kameron sang the roles of Ferrando in Mozart’s Così fan tutte; Tamino in The Magic Flute. With the Louisiana Philharmonic Orchestra, he has performed major works including Handel’s Messiah, Bach’s Christmas and Easter Oratorios, and Rossini’s Stabat Mater. His versatility extends to television, where he portrayed the Woeful Tenor in AMC’s hit series Interview with the Vampire.
