Fletcher Artist Management is Amanda Majeski's General Management. For inquiries in Europe and Asia, please also contact Nicholas Moloney at Askonas Holt.
Internationally renowned American soprano Amanda Majeski is a celebrated interpreter of Mozart, Strauss, Wagner and Handel. She is also highly acclaimed for her portrayal of Janáček’s Káťa Kabanová, making her debut with that role at the Royal Opera House, Covent Garden (Best New Opera Production at the 2019 Olivier Awards), and having been described as “Katya of the moment”, following the London Symphony Orchestra concert performance conducted by Sir Simon Rattle in 2023.
Amanda begins the 2025-2026 season with an exciting role debut at the BBC Proms, singing the title role in Shostakovich’s Lady Macbeth of Mtsensk. She returns to Oper Frankfurt, as Marta in The Passenger, sings the Marschallin in Der Rosenkavalier with New Orleans Opera, and joins the Rundfunk-Sinfonieorchester Berlin and conductor Edward Gardner for Szymanowski’s Stabat Mater & Mahler’s 4th Symphony. Future seasons include her return to London’s Royal Opera House.
The 2024-2025 season included an anticipated return to the role of Strauss’ Salome with Semperoper Dresden, where she was previously a member of the ensemble. She also joined the Madison Symphony for Strauss’ Four Last Songs and Mozart’s Requiem, and celebrated the centennial of her alma mater, the Curtis Institute of Music, both in residence as a visiting instructor and in recital for a special gala performance.
During the 2023-24 season, Majeski made returns to the Teatro Real Madrid as Marta in the Spanish premiere of The Passenger, and to the Semperoper Dresden, as Káťa in a new production directed by Calixto Bieito. She also gave a solo recital at Opera Philadelphia's O23 Festival and returned to the Tanglewood Music Festival as Gutrune in the final act of Wagner's Götterdämmerung, paced by Andris Nelsons.
Majeski made her Metropolitan Opera debut as Countess Almaviva in a new production of Le nozze di Figaro, returning for a revival of Don Giovanni conducted by Fabio Luisi and new production of Così fan tutte under David Robertson. She made her mainstage debut with the Lyric Opera of Chicago as Countess Almaviva with conductor Sir Andrew Davis, returning as Vitellia in La clemenza di Tito, Eva in Die Meistersinger von Nürnberg, Marschallin in Der Rosenkavalier, Marta and Donna Elvira. She sang Blanche de la Force in Dialogues des Carmélites for Pittsburgh Opera, Countess Almaviva in her debut for the Washington National Opera, and Countess Madeleine in Capriccio, Komponist in Ariadne auf Naxos and Fiordiligi in Così fan tutte for the Santa Fe Opera. Majeski made her European debut at the Semperoper Dresden, where she performed in new productions of Alcina and La clemenza di Tito, along with revivals of Le nozze di Figaro and Capriccio. She has bowed as Vitellia for Opéra de Paris, Donna Elvira with Dutch National Opera, Countess Almaviva and Eva for the Glyndebourne Festival Opera, the title role Rusalka and her first Marschallin for Oper Frankfurt, made her debut with the Opernhaus Zürich as Marguerite in Faust, and appeared at the Staatstheater Stuttgart and Teatro Colón.
Majeski sang Gutrune in a concert performance of Götterdämmerung with the Hong Kong Philharmonic and Jaap van Zweden that was released on Naxos Records. She has appeared with the Netherlands Radio Philharmonic as the title role in Káťa Kabanová, conducted by Karina Canellakis; Boston Symphony Orchestra, for Britten’s War Requiem conducted by Sir Antonio Pappano, and Beethoven’s 9th Symphony at Tanglewood, Los Angeles Philharmonic, for Beethoven Symphony No.9 with Gustavo Dudamel. Previous engagements include the Sydney Symphony Orchestra (Beethoven 9), Strauss Vier letzte Lieder at Verizon Hall Philadelphia, the National Concert Hall Dublin and with the Nürnberger Symphoniker, Berg Sieben frühe Lieder and Mozart Requiem with the Sinfonieorchester Aachen and Wagner Wesendonck Lieder with the Chicago Symphony Orchestra. Her many recital appearances have included Italienisches Liederbuch at 92nd Street Y with pianist Julius Drake and her solo recital debut at Carnegie Hall.
Majeski holds degrees from the Curtis Institute of Music and Northwestern University. She was a member of the Merola Opera Program, the Gerdine Young Artist Program at Opera Theatre of St. Louis, and the Steans Institute at Ravinia. Awards include the George London Foundation Award, first prize of the Palm Beach Opera Vocal Competition, and a Sara Tucker Study Grant from the Richard Tucker Foundation.
