Baritone Alexander Birch Elliott continues to garner praise for his “heated intensity and beguiling timbre of mahogany.” (New York Times)
This season, Mr. Elliott makes his debut with Florida Grand Opera, returning to the role of Escamillo in Carmen. The baritone also returns to the roster of The Metropolitan Opera, covering Figaro in Il barbiere di Siviglia. Mr. Elliott’s concert calendar this season includes performances of the Brahms German Requiem with the Charlotte Symphony, conducted by Kwamé Ryan, Handel’s Messiah with the Nashville Symphony, and an appearance with the Pacific Vocal Series in Newport Beach, CA.
The 2023-2024 season featured an exciting role debut with Houston Grand Opera as Captain Von Trapp in the beloved The Sound of Music, and returns to The Metropolitan Opera, singing Papageno in the holiday presentation of The Magic Flute and covering Schaunard in La bohème. Elliott also made two notable role reprisals, singing Figaro in Il barbiere di Siviglia with both Arizona Opera and Des Moines Metro Opera, and Enrico in Lucia di Lammermoor with New Orleans Opera. With the Grand Teton Music Festival, he performed Papageno under the baton of Sir Donald Runnicles, and joined the Cincinnati May Festival for Haydn's The Creation.
Alexander began the 2022-23 season with an anticipated role and house debut as Enrico in Simon Stone’s production of Lucia de Lammermoor with Los Angeles Opera. In December 2022, he returned to Pittsburgh Symphony Orchestra as the baritone soloist in Mozart’s Great Mass and Handel’s Messiah, while the spring of 2023 brought a return to the Metropolitan Opera to cover both the title role in Don Giovanni and Schaunard in La bohème.
Recent seasons have seen major debuts for Alexander, including at both The Metropolitan Opera and Houston Grand Opera, singing the role of Zurga in Les Pêcheurs de perles. He made his Carnegie Hall debut with the American Symphony Orchestra for Elgar’s The Kingdom, as well as with New York’s PROTOTYPE Festival as Lucifer in Rev 23, directed by James Darrah and conducted by Daniela Candillari. He recently returned to Tulsa Opera for performances of Escamillo in Carmen, Opera Omaha as the titular Eugene Onegin, Guglielmo in Così fan tutte and Silvio in Pagliacci; Marcello in La bohème for his debut at San Diego Opera, Figaro in Il barbiere di Siviglia and Escamillo in Carmen with Opera Santa Barbara, Anthony in Sweeney Todd and the title role of Eugene Onegin with Portland Opera; as well as to the Pittsburgh Symphony Orchestra as Don Fernando in Fidelio. A frequent guest at Des Moines Metro Opera, his roles there range from Demetrius in A Midsummer Night’s Dream, to Prince Yeletsky in Pique Dame, as well as the role of Momus in Platée. A proponent of contemporary works, he appeared as John Brooke in Little Women with Madison Opera and Annapolis Opera; Edward Kynaston in Carlisle Floyd’s Prince of Players with the Florida State Opera; and covered the role of Doug Hansen in Joby Talbot’s Everest at Dallas Opera.
A frequent performer on concert stages around the United States, Alexander made two significant festival debuts in the summer of 2018, both in celebration of Leonard Bernstein’s centennial. He appeared with the Ravinia Festival in June under the baton of Marin Alsop as a Street Singer in Bernstein’s Mass, followed by performances of Maximilian, the Sea Captain, and the Grand Inquisitor in Candide at the Tanglewood Festival. Alexander made his debut with the Cleveland Youth Orchestra for Vaughan Williams’ Five Mystical Songs, appeared with The Knights for Master Peter’s Puppet Show at the Brooklyn Academy of Music, and has returned to Pittsburgh Symphony Orchestra in performances as Brander in Berlioz’s La Damnation de Faust and the Indianapolis Symphony Orchestra for Bruckner’s Te Deum.
As a young artist with Portland Opera he performed the roles of Belcore in L’elisir d’amore, Le Dancaïre in Carmen, Frank in Die Fledermaus, and Sam in Pirates of Penzance. Other young artist performances include Il barbiere di Siviglia as Figaro and Rorem’s Our Town as Frank at Central City Opera, as well as the Captain in Eugene Onegin and Périchaud in La Rondine at Des Moines Metro Opera. A former Tulsa Opera young artist, Alexander made his principal debut as Count Almaviva in Le nozze di Figaro.
Alexander is a graduate of the prestigious Merola Opera Program at the San Francisco Opera, and is the recipient of the John Moriarty Award for his outstanding contribution to Central City Opera.
A native of Florence, South Carolina, Alexander attended Florida State University where he studied with David Okerlund.
